Best Albums of 2017

In the 70s music critics had an edge on the fans – if Richard Meltzer is to be believed, they got free records, invites to parties studded with stars, drugs and other party favours. In 2017 it is becoming increasingly common to not get sent the biggest new releases at all, never mind before they come out. (I note the dry irony in Taylor Swift’s album cover art appropriating newspaper logo fonts – several critics I know still haven’t received the promo.) In the mid 2000s I used to keep stacks of CDs in my desk, ordered by release date. When you opened the drawer, they stared back at you – imploringly, for less known artists, and reproachfully for the big names. Now digital promos from the majorspo arrive in dribs and drabs, sometimes expiring before you have a chance to hit ‘Play’ on track one. You can hear practically everything on demand via streaming, which is not new, but for me the landscape has finally flattened into a featureless horizon – your access is limited only by your time management. Everything is available, and everything is passing you by.

The effect on my listening is two-fold: I focus on genres I know I like, because there’s no force pushing me to engage with pop – it isn’t playing in the bars I go to, it doesn’t cross my twitter feed, I never hear commercial radio. (Pour one out for the major label marketers.) But I also feel perpetually behind, listening to records only once or twice because there’s an endless supply of new records being pushed by my genre outlets of choice (media content farms and ever-scrolling social feeds) and the FOMO is real, y’all.

So aside from the emergence of two new sounds, ‘weightless’ beat-deprived grime and dusty electro-ish drum machine industrial funk I’m dubbing CabVoltCore – neither of which I’ve seen trend pieces about so I’ve just guessed they exist – my listening this year roamed in a vast but fenced-in auditory landscape. And really, aside from the FOMO, it’s all good. I don’t miss what I don’t know exists (or don’t put at the top of a playlist). For what I didn’t miss, read on.

10. Errorsmith - Superlative Fatigue (Pan)

Picture 10 of 10

Just when you think you've heard every possible 'homage'/pilfering of Caribbean sounds, along comes Errorsmith with a fusion that's not just rhythmically seductive but original to boot. The drums on, say, 'Internet of Screws' start out with a bit of a dancehall vibe but once the synth starts homing in on the coordinates of a melody, the pitch goes bananas, the rack toms are off to the races and it all goes delightfully sideways. It's not all weirdness - 'I'm Interesting, Cheerful and Sociable' could arguably be the basis of a riddim, until it couldn't, because the synth wobbles so hard you feel slightly seasick. It's truly a fresh sound, unlike the shameless theft (or as you may know it, Pulling A Sheeran) going on in the pop world.

 

The List

*Canadian
*** Not on Spotify

1. Jlin – Black Origami (Planet Mu)
2. Kendrick Lamar – Damn. (Top Dawg/Aftermath/Interscope)
3. *Sinjin Hawke – First Opus (Fractal Fantasy)
4. Floating Points – Reflections – Mojave Desert (Luaka Bop)
5. Richard H Kirk – Dasein (Intone)
6. Eric Copeland – Goofballs (DFA)
7. Peverelist – Tessellations (Livity Sound)
8. Gnod – Just Say No To The Psycho Right Wing Capitalist Fascist Industrial Death Machine (Rocket)
9. Fjaak – Fjaak (Monkeytown)
10. Errorsmith – Superlative Fatigue (Pan)

11. Pissed Jeans – Why Love Now (Sub Pop)
12. Ekoplekz – Bioprodukt (Planet Mu)
13. Blondes – Warmth (R&S)
14. Wolf Eyes – Strange Days II (Lower Floor)
15. Kingdom – Tears In The Club (Fade To Mind)
16. Claude Speeed – Infinity Ultra (Planet Mu)
17. Vince Staples – Big Fish Theory (Artium/Blacksmith/Def Jam)
18. Sampha – Process (Young Turks/XL)
19. Delia Gonzalez – Horse Follows Darkness (DFA)
20. Bjorn Torske and Prins Thomas – Square One (Smalltown Supersound)

21. Yo Gotti and Mike Will Made It – Gotti Made-It (Gotti Made-It/EMPIRE)
22. Queens Of The Stone Age – Villains (Matador)
23. Mura Masa – Mura Masa (Polydor/Interscope/Downtown/Anchor Point)
24. *Drake – More Life (OVO Sound/Young Money Entertainment/Cash Money/Republic)
25. The Mole – De La Planet (Maybe Tomorrow)
26. Future – HNDRXX (Epic/A1 Recordings/Freebandz Entertainment)
27. LCD Soundsystem – American Dream (DFA/Columbia)
28. ***Robert Aiki Aubrey Lowe – Kulthan (Latency)
29. Farbror Resande Mac – Farbror Resande Mac (Horisontal Mambo)
30. Kelela – Take Me Apart (Warp)

31. Sherwood and Pinch – Man Vs. Sofa (On-U Sound)
32. Dizzee Rascal – Raskit (Dirtee Stank/Island)
33. Joakim – Samurai (Tigersushi/Because)
34. Gas – Narkopop (Kompakt)
35. Clap! Clap! – A Thousand Skies (Black Acre)
36. *Egyptrixx – Pure, Beyond Reproach (Halocine Trance)
37. *Daphni – FabricLive 93 (Fabric)
38. Sote – Sacred Horror In Design (Opal Tapes)
39. Tyler The Creator – Flower Boy (Columbia)
40. *Jacques Greene – Feel Infinite (Arts & Crafts)

41. Special Request – FabricLive 91 (Fabric)
42. *Godspeed You! Black Emperor – Luciferian Towers (Constellation)
43. ***Craig Taborn and Ikue Mori – Highsmith (Tzadik)
44. Circle – Terminal (Southern Lord)
45. Oneohtrix Point Never – Good Time sndtrk (Warp)
46. Ikonika – Distractions (Hyperdub)
47. ***Weightless Vol 1 (Different Circles)
48. ***Weightless Vol 2 (Different Circles)
49. The Horrors – V (Wolf Tone)
50. ***Jay-Z – 4:44 (Roc Nation)

Leave a Reply

Your email address will not be published. Required fields are marked *