Mix: Dark Days


You may wonder why I only post reviews of albums on here and not singles. Or you may not. Anyways I’m explaining here, so STFU for a minute. I don’t review singles because, if I like them, odds are they end up in a mix like this. Thus I feel compelled to point out how totally fucking bananas-awesome Wesley Matsell and Gerry Read’s latest singles are, which is obviously why I included them. Also the Recondite track, which isn’t new. Did I mention you should listen to this? You should listen to this.

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1. Pearson Sound – Raindrops pt. II – Raindrops
2. Kelis – Jerk Ribs (Mount Kimbie Remix) – Jerk Ribs (Remixes)
3. DMX Krew – My Metro – Hot Punch / My Metro
4. Recondite – Riant – Bleep: The Top 100 Tracks of 2013
5. Lucy – leave us alone – Churches Schools And Guns
6. Neneh Cherry – Everything (Villalobos & Loderbauer: Vilod high blood pressure mix) – Everything
7. Dave DK – Woolloomooloo – Perfect Like You / Woolloomooloo
8. Wesley Matsell – Future Beacon – Total Order of Being
9. The Lionheart Brothers – The Drift (Frisvold & Lindbaek Remix) – The Drift
10. The Analogue Cops – Second Disco Crime (ft. Steffi) – Heavy Hands
11. Christian S – Number One – Pitch Rider
12. Boddika & Joy Orbison – More Maim – More Maim / In Here
13. Pinch & Mumdance – Turbo Mitzi – Turbo Mitzi / Whiplash
14. Sam Russo – Wanderer (John Tejada remix) – To The Brink / Wanderer
15. Gerry Read – Shrubby  – Shrubby
16. Snow Ghosts – Secret Garden (Matthew Herbert’s Wash It All Away Instrumental) – Secret Garden
17. Pearson Sound – Raindrops pt. I – Raindrops

Deemo – Dark Days by Deejaydeemo on Mixcloud


Under Construction: Best-Of List

The posts here have been thin lately because I’m trying to clear my gargantuan backlog of albums I put off listening to but should probably check out before the end of the year. However, now that I’ve been checking them out, I’ve discovered that most of them are fucking godawful.

So, when the music biz gives you lemons, you whine and complain about what the fuck are you going to do with these goddamn lemons. (And if that’s not your bag, go listen to my latest mixes you bunch of ingrates.) To wit: my take on albums that didn’t make the cut…

Britney Spears
Britney Jean

Is it weird that most of these songs sound like they could be about Jesus? The winner in that category has to be “Now That I Found You,” otherwise known as Brit Brit’s answer to “Cotton Eyed Joe” (“I can live my life / I believe in faith / I have found myself / I have lost the hate”). I wish I were kidding.

Neko Case
The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

This is not a bad album, and this is not a worst-of list. Even if it’s not fully my thing, I can admit that there’s plenty to like here, from the way the music often pushes what you expect from the country/folk production into a wholly different emotional place. “Man” is brilliantly pointed, “I’m From Nowhere” meanders in an endearing way, etc. But there’s just nothing that can make up for something as melodramatic as “Nearly Midnight, Honolulu,” at least in my books. It was based on a true story. Oh, well alright then.

The Marshall Mathers LP2

Eminem can still technically rap. That doesn’t mean he can drop even one half-decent single anymore. Stop doing everything in a minor key! Stop trying to do concept songs! Stop ruining classic rock songs like Time of the Season! Stop making nu-metal songs like Survival Of The Fittest! FOR THE LOVE OF GOD JUST STOP

Goodie Mob
Age Against The Machine

You are probably a bad person if you don’t think “Nexperience” is a song that Cee-Lo should have the opportunity to sing on the season finale of next year’s The Voice so that all of America has to pay attention (“I broke the rules with a pair of dancing shoes, committed blasphemy, even let you laugh at me… After all I’ve done, I’m still a niggerrrrrrrrrrr!!”). On the other hand, Cee-Lo’s deadly-sincere bubblegum ode to “my very first white girl” is the kind of awfulness I had previously only assumed could come from will.i.am.


Who says minimal techno is boring? Certainly not the producer behind Ghostly’s latest full-length. Repetitive? Sure. Dry? Assuredly. Somnolent? Why if the rest of the tracks are like the first one, I think I could listen to this sort of thing for hours upon hou-ZZZZZZZZZZZZZZ

Miley Cyrus

I was ready to give this a legit shot after “We Can’t Stop” started growing on me. Then I hit “4×4,” Miley’s stab at making a Florida Georgia Line “Cruise”-style country-rap hit, complete with Nelly cameo. “Drivin so fast, bout to piss on myself.” Screw the VMAs, this is precisely where Miley went off the rails. Honorable mention goes to the line: “I ain’t popped no molly, but you still got me sweatin’.” And incidentally, I’m glad that America’s youth are so comfortable with racial issues that an ex-child TV star slipping in and out of appallingly-unconvincing ebonics ranks some eight bazillion slots lower on the offensiveness-ranking-ladder than acting like a slut on television. U.S.A.!

Shooting Guns
The Brotherhood of the Ram

Who says stoner rock is boring? Certainly no-ZZZZZZZZZZZZZZ