Top 25 Singles of 2014 so far

You better stop, children what’s that sound
Everybody look what’s going down
No but like, seriously, what the fuck was that? It was hella loud, yo
– Buffalo Springfield, “For What It’s Worth”

There have been a lot of records this year in the burgeoning BANG! BOOM! CRASH! subgenre, where the samples and/or drums are so loud they feel like they’re jumping out of your speaker and hitting you in the face, even at low volume. But the best of them remain undeniably musical, and even catchy. Evian Christ and Bok Bok are tops in this department, through different approaches; the American upstart is relentlessly melodic even with his noisiest bits (a skill he shares with Skrillex, of all people) while the Brit turns even the rawest repetitions into R&B, whether it’s with 80s quiet storm synths or the very Aaliyah-like vocal stylings of Kelela.

Looking down the list, melody is the thing, however subtle. It’s there in Martyn and Four Tet’s twinkling kalimba samples, Toronto’s Jex Opolis’ Zither EP (especially “On The Cliffs” with its stabs of vocal “aaaahs” and gently burbling drums), DMX Krew’s oddly compelling lounge-pop and even H-SIK’s amped-up breakbeat science. I used to think a hummable tune was optional, even quaint, but maybe the years of minimal tech – and the waning of the prog house sound in favour of who knows what in EDM-land – have made it more palatable, if not outright necessary.

You’ve got your grime-oriented and just plain weird producers in there, of course – Mumdance coming with a couple of collaborations (with Logos and Pinch respectively) that make it sound like there’s a vacuum cleaner and/or a rogue mobile phone behind the boards, as well as Phon.o, Lakker and L-Vis 1990 all delivering sides that are more not-there than there. But the tunes predominate, however simple — from Vitalic’s uncharacteristically pop-oriented take on Paul Kalkbrenner’s “Altes Kamuffel” to the chugging grooves from Melchior Productions Ltd., Todd Terje and KHLHI (a.k.a. Four Tet).

*Oh, and in light of the Polaris Music Prize short list announcement, it’s worth remembering that – without taking anything away from Jessy Lanza’s accomplishment – there’s plenty of Hot Canadian Electronic Action happening outside the album sphere. Jex Opolis, Tiga and Hobo on this list, plus Adam Marshall’s New Kanada label (and Graze alias), Guillaume and the Coutu Dumonts, Caribou’s Jiaolong imprint, Lunice, Kaytranada etc. Don’t sleep on the frozen north.

1. Evian Christ – Waterfall (Tri Angle)

2. Bok Bok – Your Charizmatic Self EP (Night Slugs)

3. Martyn – Forgiveness (EP) – (Ninja Tune)

4. Jus Now – Bare Wine (feat. Swappi) / Vodou Riddim (Gutterfunk)

5. Jex Opolis – Zither EP (Good Timin)

6. H-SIK – Sonic Rage / No Promises (Black Acre)

7. Sam Russo – To The Brink / Wanderer (Air London)

8. Jamie XX – Sleep Sound (Young Turks)

9. Mumdance & Logos – Legion / Proto (Tectonic)

10. Alex Coulton – Murda / Break Pressure (Black Acre)

11. Gerry Read – Shrubby (Aus Music)

12. KHLHI – Percussions (Text)

13. Komon and Appleblim – Jupiter EP (Aus Music)

14. Paul Kalkbrenner – Altes Kamuffel (Vitalic Remix) (Paul Kalkbrenner Music)

15. Juju & Jordash – Waldorf Salad/Third Planet from Altair (Dekmantel)

16. DMX Krew – Hot Punch / My Metro (Fresh Up)

17. Pinch & Mumdance – Turbo Mitzi / Whiplash

18. Melchior Productions Ltd – The Return Of The Cosmic Kids (Aspect Music)

19. Lakker – Containing a Thousand (R&S)

20. Todd Terje – Spiral (Full Pupp)

21. L-Vis 1990 – Ballads EP (Night Slugs)

22. Tiga & Audion – Fever (Remixes) (Turbo)

23. Flava D – Home / Hold on VIP

24. phon.o – Cracking Space Pt. 1 (50 Weapons)

25. Hobo – Mind Games (Soundz)

Field Day: Day 1

Field Day Sat

London’s Victoria Park never looked finer than when it played host to a very solid lineup of electronica artists, many of whom I had never seen before. Read on, intrepid festival-watchers (and forgive my camera-phone pix).

Gerd Janson

Epic beard, epic sound, limited crowd. But a few bongos and some spacey disco edits don’t go astray at 2 in the afternoon. Also notable: he was spinning vinyl. However I suspect he was really looking forward to his set at the after-party. Not that we were spared the smoke machine.

Gerd Janson

James Holden live

I feel reasonably convinced that James Holden’s modular synth wizardry is already the best thing I will see all festival. It didn’t start out that way. Nothing sends chills down the spine of a grizzled jazz vet like walking into the dance tent to the sound of an auto sax player jamming to a “funky” beat played by a drummer in a bad hat, with a bit of synth squall unintelligibly roaring in the background. Horrible memories of fusion gone rancid soon left, replaced by some Deutsch rock throb, with Holden’s eurorack setup unleashing a full band’s worth of noise, arpegiatted melody caught in an infinite regression and the sax player actually fitting in for once. (He’ll be kicked out of the overplayers’ union, I’m sure.)

James Holden 1

Even a laptop malfunction that sent Holden scurrying backstage seemed to fold comfortably into the show, like a long drum solo that builds anticipation for the inevitable roaring finale. Holden was a pro through it all, grinning boyishly as the crowd clapped their encouragement. So far, so very very fucking good, Field Day.
James Holden 2

Omar Souleyman

I admit that my scheduling was a bit short on the hedonistic fun-o-meter but Omar Souleyman made up for it. Dec ked out in traditional Bedouin garb and sunglasses, despite the dark tent, Souleyman and his keyboardist – an adept synth performer, putting plenty of melody and feeling into his playing via some expertly controlled pitch bends and octave popping – got the party started.

Omar Souleyman 1

Omar Souleyman 2

The lack of a band wasn’t really an issue; Souleyman worked the stage like a pro, measuring every gesture to elicit the maximum crowd impact. And the tunes from his latest, Wenu Wenu, went down like a shandy on a hot day. (I noted the albums producer Four Tet getting down to the rhythm at side stage. Along with what I think was his mum? Cyuute.)

IMG_20140607_163022

Oneohtrix Point Never

There’s that inevitable exodus of all the hot girls whenever someone like Daniel Lopatin announces his presence by emitting a volley of unconscionable noise. Amazingly, his set survived, and perhaps even thrived, thanks to his inventive textures, able Veejay providing flickering echoes of David Lynch-esque landscapes and freak 3D-rendered creatures being distended and torn before our eyes. There’s also his mastery of extreme volume – at times it.felt like a noise show and an ambient set flipping in and out of focus like two TV stations jockeying for the same frequency. And it was a lot more fun than I’m making it sound. Seriously, I would say Lopatin is doing for melody what Apex Twin did for drums, if it didnt make me sound like a pretentious asshole. (Too late.)

Oneohtri Point Never

Blood Orange

Dev Hynes can sing. He can also play guitar, damn well, and his band is formidable. But be honest – it’s all a bit Terence Trent D’Arby, isn’t it?

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Evian Christ

After a quick chorizo sandwich and a not so quick queue for a Red Stripe, the train arrived at the set of this very talented, very young, and mercifully very American dj. I say mercifully because I hadn’t realized how much I needed to hear some cussing over trap beats (it had been several days) until that handsome white-t-clad gent started rapping along to a storming Weezy verse and I suddenly felt the bass hit me somewhere in the back of my throat. He showed some dexterity by dropping a couple of his own, distinctly hard and dry riddims, such that I saw the women in front of me convulse slightly. But when he dropped a fresh Young Chop beat there were right back with him. Sweaty trap party, yes please.

Evian Christ

Todd Terje

I was promised a live set, dammit, and all I got was this not lousy DJ set with cuts from his album (“Delorean Dynamite”) as well as some tasty disco selections. But where were the cascading keyboards, the odd-timed drum freak outs, the interminable bass solos? Nowhere to be found. Maybe Danny Brown had borrowed them. Few spinners are as adept at reading the crowd as Terje, and fewer still have crates as deep, which made his set pleasurable despite the crowded environs and the tilt towards deep house. If anyone’s going to go there, Terje is uniquely placed to do it, and while I was slightly sore about the lack of a live PA I can’t complain about the conflagration of fine sexy ladies in the RA tent that he brought. When in Field Day, do as the girls with the flowery dresses do.

Todd Terje

Until tomorrow, Vic Park…

Crowd Shot

Mix: Get Bodied

deemo-getbodied

Haven’t had time to do much in the way of posting lately, but I’ve got a couple of mixes on deck to share, starting with this one. That Evian Christ track in particular is a stormer. Get up on it like this.

Click here to download from Mediafire

 

Deemo – Get Bodied by Deemo on Mixcloud

1. Bjork – Virus (Hudson Mohawke’s Peaches & Guacamol remix) – Bastards (One Little Indian)
2. French Fries – U.M-An – Kepler (Clek Clek Boom)
3. Evian Christ – Propeller – Waterfall (Tri Angle)
4. Gladiator – Assembly Line (Original Mix) – Assembly Line (Fool’s Gold)
5. JT The Goon – Eski Moment – Twin Warriors EP (Oil Gang)
6. Mumdance & Rabit – Square Wave Shell Down – Boxed Vol. 1 (Boxed)
7. Arctic – The Sicilian – 14 tracks: Nexx Level Grime (Boomkat)
8. Bok Bok – Melba’s Call (feat. Kelela) – Melba’s Call (feat. Kelela) (Night Slugs)
9. Machinedrum – Back Seat Ho (Rustie Remix) – Fenris District (Ninja Tune)
10. Mark Pritchard – Makin a Livin’ – Bleep: The Top 100 Tracks of 2013 (Bleep)
11. DJ Clent – Don’t Leave Me (Baby) – Hyper Feet (Planet Mu)
12. Henry Rodrick – Hey Baby – Don’t Believe (Studio Barnhus)
13. Umbertron – Jackmi – Chicago Tek (Loose Squares)
14. Ital Tek – Universal Decay – Mega City Industry (Civil Music)
15. DJ Earl Heavee & DJ Taye – RubbaBANDZ – Audio Fixx 2 (Ghetto Teknitianz)
16. H-SIK – Sonic Rage – Sonic Rage / No Promises (Black Acre)
17. A Tribe Called Quest – Stressed Out (Bjork’s Married to the Mob Mix) – Stressed Out (Jive)

Mixed April 12 by Dave Morris a.k.a. Deemo for a-void.ca